



"I make performances that revolve around my relationship to a video camera. They exisit either as live events or as recorded videos.
I construct mechanical contraptions, using found objects such as a bike wheel, lengths of wood, or a spade, upon which I attach a video camera. I then carry, push, throw, spin, or fly these objects around landscapes, allowing the camera to capture me using or struggling with them. The contraptions often restrict or challenge my movement, whilst allowing the camera to create a new energy on screen in the way that it captures me.
I use the camera as a tool to trigger a performance and to record it. This feedback is used to explore my relation to a moving-image-screen – whether I'm trying to remain in shot, escape from it, or investigate the edge of the frame.
Through my interest in cinematic theories of broken immersion, and by acknowledging the camera's presence, I try to find and push the limits of my relation to the unreal but highly believable world inside a moving-image-screen."
Alastair Levy graduated from the Royal College of Art with an MA in Photography. His practice is not typically photographic but studying photography allowed Alastair to realize and recognize important transferable aspects to making successful work including function, structure and concept.
Alastair Levy’s work humorously explores the overlooked or unnoticed mundane objects that surround us everyday. By making subtly alterations to these found items Alastair transforms the everyday and the over familiar into the relevant and regarded.
Gestural process and action play a continuing role in Alastair’s work and [Details on Request] are excited and fortunate to be showing his work for the first time at TAGO MAGO. multi-dri (sounds of awe and wonder) will be installed in the female toilets, sorry boy, and will require a performative participatory role for the viewer to engage in.